Tanks & Tablecloths: Chapter Two
Copy Us
H O M E
Welcome
Between Everyday & Arcane
Inside/Outside: A Book in Thirty Parts
The Essence of All Things
British Library Fellowship
Memorial to the Named & the Faceless
L I Z Z I E - R I D O U T
P O R T F O L I O
S K E T C H B O O K
É T U D E S  ~  A - P R E S S
C O N T A C T
Writer's Black / Writer's Block
Once More, with Feeling
A Polychromy in Black
The Architecture of Conversation
Women's Studio Workshop Residency
Tanks & Tablecloths: Chapter One
In Absentia
Various Writings
Portable Document
Death of a Pencil

Portable Document is an ongoing body of work exploring the philosophical agency of paper, focussing in part around the symbol of the PDF but also more broadly around some of the themes it encapsulates.

Some of the work shown here was created and exhibited during Portable Document: Thinkings & Makings, a week-long residency and show at Old Bank Studios, Penryn, UK; other pieces were developed as sketches during a Various Writings residency at CAST, Helston.

Death of a Pencil and Writer's Black / Writer's Block were also presented at Portable Document: Thinkings & Makings.

 

 

 

 

 

  Paper mobilises, connecting its users’ voices with readers and spectators across time and space. Paper is multi-purpose: it is simultaneously ancient yet contemporary, cheap yet priceless, durable yet vulnerable; it is both originals and copies, classlessness and luxury; it constrains and yet it also liberates. Paper is a surface and a space – and perhaps, a prosthesis.  

In the digital era, as we move from writing with fountain pens on real surfaces, to a form of writing that exists beyond physicality (no ink or paper, unless we press print), I’m curious about how we think of and perceive this new surface that we write upon and how we behave in its witness. As a child of the 70s and 80s, in the same way that I grew up caught between Imperial and Metric systems of measurement (never quite fluent in either, sort of understanding both), I now find myself in a similar position: suspended between analogue and digital. What does it mean to live in ’digital times’? How do I understand what paper might be in these digital times via manual and analogue methods of production? The tests and experiments shown at Old Bank Studios are considerations and starting-points in how to physically realise ideas about the qualities of paper in its digital guise – its mobility, its spatial qualities, its limitations, its expanse – and how I might repurpose these for other acts.

         

 

Portable Document: A Taxonomy [Animation]   Portable Document: Thinkings & Makings [Exhibition view]   Portable Document: Thinkings & Makings [Exhibition view]   Portable Document [Residency proposal]   Study for Realtime PDF I   Study for Realtime PDF II   Study for Realtime PDF III   Study for Realtime PDF IV   Study for Realtime PDF V   Study for Realtime PDF VI   Paper Stack Brush [Digital drawings created from Processing animation]   Constraints I [Newspaper, edition of 20]   Constraints I [Newspaper, edition of 20]   Study for Realignments of Written Thought: One Exercise Book Reconfigured  

Pencil as Paper I [Graphite floor piece]

  Pencil as Paper II [Pencils, wooden blocks, printed paper]   Pencil as Paper II [Pencils, wooden blocks, printed paper]